Prospero refers to his magic as "art." In Act 4 scene 1, Prospero literally steps into the role of playwright when he puts on a masque for Miranda and Ferdinand. Throughout the play, Prospero often lurks in the shadows behind a scene, like a director monitoring the action as it unfolds. Just as Prospero uses magic to create illusions, control situations, and resolve conflicts, the playwright does the same using words. Many critics see Prospero's magical powers as a metaphor for a playwright's literary techniques. At one point, Prospero even goes so far as to suggest that all of life is actually an illusion that vanishes with death: "We are such stuff as dreams are made on, and our little life is rounded with a sleep" (4.1.156-158). At nearly every point in the play, Prospero's magic gives him total control-he always seems to know what will happen next, or even to control what will happen next.
In between, the audience watches as Prospero uses visual and aural illusions to manipulate his enemies and expose their true selves. The play begins with Prospero's magic (the tempest), and ends with Prospero's magic (his command that Ariel send the ship safely back to Italy).
Art of illusion in theatre full#
The Tempest is full of Prospero's magic and illusions.
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